Following Your Dreams

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Everyone has dreams and aspirations.  Whether you choose to follow them is up to you.  Some you may have had when you were a child, and some you may not have until later in life.

I never dreamed of being a photographer until I was an adult.  Thanks to several chance events, at the ripe old age of 32 (about a year and a half ago), I decided to try my hand at photography.  I loved it so very much, that it quickly became a dream of mine to be a photographer full time.  As time went on, I developed specific goals and aspirations.  First and foremost is the pinnacle of glamour photography, shooting for Playboy.  Of course, I’d love to be published in Maxim or Sports Illustrated’s Swimsuit Issue, but Playboy is the king.  It’s a difficult place to get into, but I know that someday it will happen.  I’d also love to shoot fine art nudes and have my work featured in a gallery.

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More Changes Coming!

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Sorry I haven’t updated the site much lately.  I think I’ll be completely overhauling the site very soon to focus more on my mainstream work.  I’ll have my portfolio hosted off-site and always available.  As always, check out my Facebook Fan Page to keep up with my latest work!

Also check out my new Discounts/Specials page!

Change in Direction for the Site

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As you all have seen, there has been a severe lack of updates lately.  I’ve been trying to evaluate how I wanted to handle things.  Nowadays, there are so many social networks that it’s hard to keep up.  Facebook, Twitter, Tumblr, and now Google+ to name a few.  That doesn’t count the model sites that are out there.  So I’ve decided to focus my efforts on only a few:

Most of my new work will be posted on my Facebook fan page.  I will try to include a lot of variety in outfits and poses and such to see what I’m capable of, as well as showcasing the models.

Of course, anybody in the model/photography industry, as well as personal friends, are welcome to add my personal Facebook page.  I will not be accepting many random friend requests from people outside the industry, so if you want to view my work, there is my fan page for that.

Since Facebook has severe restrictions on risque content, I will be posting that content on my Sparkdaddy page and link to it on my Facebook page.  No, that won’t be ALL I put on Sparkdaddy.

Of course, I will still update my Model Mayhem page with new shoots.  They have a 200 image limit for VIP members, so I will be hitting that soon, which means cutting down on content, which is never easy.

I do have a Twitter page, but I’m very rarely there.  Sorry, I just have too much other stuff going on.  :/  Likewise, I haven’t set up a Tumblr account, and I’m still on the fence about that.  I mean, EVERYBODY is on Facebook.  Why spend so much time on so many different pages?

As a question to my peers, what social networks get YOU the most business.  For me, it’s Facebook by far.

Lack of Updates…

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I apologize for the lack of updates lately.  Things have been very busy.  It seems like life is either work (the day job), shooting or editing.  With the occasional free day, and maybe a little sleep.

I have been shooting a ton lately, and my work has DRAMATICALLY improved so I’m excited to share some of my recent work.  Hopefully soon!

Changes are a Comin’

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I’ve changed the way I post my galleries.  I now include the images from the galleries as individual posts, which saves me time and upkeep.  It’s so much easier now.

I will soon be revamping the portfolio section, so that it includes my favorite work from the different genres I deal in.  I’ll move the current pages to the archive, since changing those to the new format would be too time consuming.  Links shouldn’t be affected.

I will also be adding pages for my big projects, such as the Fruit Girls shoots.  They’ve been my most popular work lately, but Facebook is going to remove them probably, so this will be the best place to find them.

These changes will make keeping the site up to date easier, and make my work more accessible to the average person!

Past and Present

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Disclaimer: This is a combination of History and Advice post.  I am by no means an expert, but I wanted to share how I got started, and how I got to where I am today.

A lot of people have asked me how I got started in photography.  It’s always one of the standard questions I get asked when I’m shooting with a new model.  And I always feel goofy answering it, but I do.

My first “photo” was taken at Twin Peaks.  I had gone to TP a few times, and of course was attracted by the lovely ladies at first, but their food was just so damn good.  So how can you go wrong?  Good food, beautiful women, and they were (mostly) all really nice too!  After a few times, I got up the nerve to ask one of them to take a picture with me.  And they always did.  I was only turned down once.  And I got a lot of group shots too.  It was my way of building up the nerve to talk to a pretty girl.  That was the honest to God truth as to why I got my photo taken with so many women.  If I could get the nerve to ask a pretty girl to have their photo taken with me, I figured I could talk to them in general.  And I slowly started getting better about that.

One day, as my brother and I were leaving, 5 of the girls were standing by the street waving at cars.  One of them saw me going to my car and said “Hey, you have your camera?  Take a picture of us!” and I did.  One single shot, and I thought it looked really good for just a crappy shot with a point and shoot.

Not long after that, one of the TP waitresses I had friended on Facebook posted some photos she had taken with a guy named Joseph Garza.  I hadn’t heard of him before, but I looked up his work and loved it.  I looked up other work by glamour photographers and found guys like ephoto, Kevin Jacobson, and Don Clark.  I loved that photography, and thought how cool it must be to shoot with such pretty girls.

More time passed, and I was getting bored in life.  Really bored.  I’m single, so I didn’t have anyone to go home to, and other than school, my free time was devoted to playing video games.  I was a shut in with no friends to speak of, and just didn’t have any desire to expand my world.

One day, a girl I had just met who knew very little about me suggested I get a hobby: painting or photography.  I can’t draw or paint to save my life, so photography it was.  I got me a camera, and then I wasn’t sure where to go from there.

But here’s what I did (here’s where the pseudo-advice part kicks in):

I joined a Meetup.com group (2 actually)

Meetup.com is a great site to find people with like interests.  I had no idea how to go about getting a model to shoot.  To join sites like Model Mayhem, you have to have shots of models.  My only idea was to shoot a friend of mine who is very beautiful, but shy.  We would have done it but never got around to it.  So I found the two Glamour Meetup groups.  One was based out of Oklahoma City, managed by ephoto.  And the other was out of Northwest Arkansas, founded by Kevin Jacobson.  I joined both and signed up for both shoots they had, which were a week apart.  So in my first week of shooting, I went to Eureka Springs, AR (a 3 hour drive) and Oklahoma City (a 2 hour drive).

Both were an adventure.  I got great photos and a lot of great advice.  My first shoot was amazing in hindsight.  I got one of my most famous shots (Red Hot Tess), and I got to meet and learn from ephoto, Kevin Jacobson, and Max Slaughter (who I had never heard of at the time).  All three have helped me a great deal.  Which leads me to another tip.

I became friends with the best.

I put myself out there and tried to communicate as much as possible with these guys that I look up to, the people that have inspired me all along.  I stay in close contact with ephoto and Max, and Max referred me to Kevin Camp, who has also become a friend.  I’ve also gotten to know Joseph Garza, the man whose photos got me into this to begin with.

These guys have given me great advice, and have been nothing but nice to me, even when I ask what I feel are dumb newbie questions.  But hey, I’m passing it along but answering the questions of others.  And no question is dumb!

I did my first few group shoots, but still hadn’t done a solo shoot.  I set one up, with Tina Hershey, and was nervous as all hell!  I almost made myself sick that day, I was so nervous, but I didn’t need to be.

Models are people too, so treat them as you’d like to be treated!

This segues into one of the most important things I’ve learned.  It should go without saying, but I don’t think some people get it.  The model is not a piece of meat.  It is a person just like you.  I’ve learned over time that most models get bored if you don’t talk to them.  They’re just not into it.  They aren’t comfortable.  So I do two main things when I shoot a model: 1) Meet them beforehand if possible, and 2) Chat with them during the shoot.  I will literally snap a shot, put the camera in my lap, and start chatting.  I like to get to know them better.  I think that if I develop a good rapport with the model during the shoot, then we will get better photos.  And my approach apparently works.

The rest is really simple.  Just treat them with respect.  Be nice to them, and they will almost always be nice back.  Always set boundaries early on, and never overstep those.

After my first shoot with Tina, I starting on my mad dash of shooting.  I’m not as prolific as some, but I shoot a good deal, and have learned a lot in the past couple of months.  I’m still making new friends, and still doing what I want to do.  And I’m loving every minute!

One last piece of advice:

NEVER GIVE UP

There are people who won’t approve of what you do.  It’s a given.  But do not give up to make someone else happy.  Do what makes you happy, and as long as you’re not hurting anyone else, or making people do something they don’t want to, then there’s nothing wrong with it.  Do what you love.  That’s what’s most important.  And you will feel no greater sense of satisfaction!

What Photography Means to Me

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Normally I post only business here, but this one is from the heart.

It’s hard to believe that it’s been less than 2 months since my first shoot.  Back then, I was the guy that had little idea what I was doing.  I knew how to change my camera settings, but didn’t really know what f-stop and shutter speed MEANT for the photo.  I didn’t speak up for myself or work with the model as closely as I could have.  I was like a deer in the headlights.  But I managed to take some pretty good photos.

Fast forward to today, and I am a different person.  I know more about my camera and lighting and how to take (what I think are) great photos.  I’m getting better at retouching, but more importantly, I had an epiphany about what photography REALLY means to me.

I won’t lie.  I originally got into this because I liked the idea of taking photos of pretty girls.  It was the work of Kevin Jacobson and Joseph Garza that really got me started.  I saw how beautiful these girls were, and I thought that I’d like to do that.  Maybe it would help me get over my fear of talking to new people. beautiful women in particular.  That has always been my weakness.

Now I realize what it’s all about for me, and why I love doing it.  I’ve started cracking through the shell I’ve encased myself in, and I’ve started connecting with people.  I’ve met some of the coolest people, both in front of and behind the camera.  I have been given awesome advice and invaluable help from excellent photographers, and I will always strive to be as good as they are, but not duplicate their efforts.

But most of all, I have met some wonderful models.  I haven’t worked with a person that I wouldn’t call a sweetheart.  Some of them I love to death and would do anything for, they’re that sweet.  Here I am, a fat shy guy with a camera, and they welcome me with open arms and collaborate with me to make some beautiful photos.

THAT is what photography has become to me.  It’s not about the retouching afterward, though that is part.  It’s not just about taking photos of pretty girls (though that’s definitely a perk!).  It’s about the connections I make with wonderful people.  It’s about meeting people and making new friends.  I don’t know if they consider me friends, but I consider them friends.  It’s hard for me to do, being a loner most of my life, but here I am doing it.  I’m going out and meeting people and having a blast.

THAT is why I love photography.  And I hope my love for it is evident in my photos.

lp160

Review: Lumopro LP160 Flash

Being a new photographer, I wanted to try my best to use affordable solutions when it came to my gear.  It can be quite difficult, not to mention overwhelming, to look through all the gear out there and determine what is best for me starting out.  I knew that someday I’d get all the bells and whistles, but I wanted the best bang for my buck now.

Enter David Hobby’s Strobist Blog.  Now, pretty much every big photographer out there, from the REAL big to the little big guys know about David Hobby.  He is a master of light, and his blog helps people of all levels of experience get better with lighting.

In his Lighting 101 guide, David recommends using a Lumopro flash because they worked closely with the community to develop an affordable flash that has some of the features of the more expensive brand name flashes.  I checked a few other places for alternatives, but nothing had all the features for the price of the Lumopro LP160.  The Strobist himself also recommends buying from Midwest Photo Exchange, because they sell very affordable Strobist Kits.  So I bit the bullet and purchased a Strobist Starving Student kit, which is pretty much the lowest they offer.  It was $300 for the Lumopro LP160, 6ft compact stand, umbrella swivel head, 43″ umbrella, sync cable, hot shoe adapter, bag, and some gels and other miscellaneous stuff.

The flash itself is awesome.  It can swivel up and down, and side to side 180 degrees one way, and 150 degrees the other.  It features built in slave capabilities, and has both a PC and a 1/8″ minijack port.  I’ve tested the slave abilities with my AlienBees strobe, and it worked flawlessly.  I haven’t had a single problem with the flash, except for maybe one.  The recycle time is about 4 seconds, which seems pretty long for someone who snaps off as many shots as I do.  But I’m using regular alkaline batteries, and I’ve heard that rechargeable batteries will make the recharge time go down.

I should also note that at a recent shoot, a lot of more experienced photographers complimented the light stand at how compact it is.  It’s about 2 feet when folded up, and very lightweight.  The bag is also of high quality.

All in all, if you don’t want to break the bank, but want a good portable lighting solution, the Lumopro LP160, and the Strobist kits on MPEX are great buys.

Image Source: MPEX

Calendar

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I’ve added a calendar.  It’s more for my benefit, but you can view it too.  Things are getting very busy for me in the coming weeks, and this way I can see exactly what I have to do.  Feel free to check it out and contact me to set up a shoot!

HDR Secrets

Review: HDR Secrets

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The full title of this book is “Rick Sammon’s HDR Photography Secrets for digital photographers.”  Whew, that’s a mouthful.

Rich Sammon is a highly respected photographer of a great variety of things, and it just so happens that his work with HDR is fantastic.  Seriously, the images in this book are wonderful works of art.

And while Rick does give a lot of great tips on how to get those good HDR Photographs, the real meat of the book, how to combine your bracketed photos into some great HDR shots, require the use of the Photomatix software.

I will gladly accept that prior to Photoshop CS5, you pretty much HAD to use Photomatix to process great HDR shots.  And apparently this book was written before CS5 came out.  So for me, it really isn’t as useful as it could have been.  In addition to Photomatix, Rick heavily uses Topaz Adjust from Topaz Labs.  So I guess the big secret to HDR Photography is buy more plugins!

In all seriousness, Rick does a great job, but for me, this book serves as little more than a coffee table book of fantastic HDR Photography.  I can’t justify buying Photomatix right now, especially since they are likely going to release a new version to trump the built-in CS5 functionality that is so dramatically improved from CS4.  In addition, Nik Software, makers of popular plugins Silver Efex Pro and Color Efex Pro, among others, is working hard on a new HDR Plugin.

It’s going to be a hard decision to make soon.  Do you stay with the pretty good Photoshop CS5 HDR functionality?  Or do you buy the new and improved, tried and true Photomatix?  Or the new HDR plugin from Nik?  I’m not real big on plugins in general, but this is one battle I’m interested in seeing!

Image Source: Amazon

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